Entry tags:
magic markers.
So here's what you missed on Glee:
Kurt's still really into Blaine, while Blaine doesn't really know what he wants and even got his mack on with Rachel, although locking lips with her seems to have put him back on the right team. Blaine's discovered that Kurt's idea of getting his sexy on looks more like someone holding back a lot of gas, and Burt's collected a slew of pamphlets to try and educate his son, but Kurt's still showing resistance. Both the New Directions and the Warblers are preparing for Regionals, but the Warblers are looking more like Blaine and the Pips by the day, and we don't think Kurt's too happy about that.
And that's what you missed on... Glee!
Although Kurt would have certainly preferred to spend the day working on a Judy Garland number adapted for the Warblers, he could understand the club's enthusiasm and Blaine's eagerness to use Top 40 hits to appeal to a mass audience. Maroon 5 was, all things considered, a band that saw remarkable success given their lackluster quality in live performances, and Kurt could only imagine that the Warblers' charm and tailored uniforms would add to the effect. But as he sat on the bench, feeling the ground move under his feet and hearing the fists of his classmates pounding on the tables, his mind couldn't keep from repeating a single thought, time and time again: this song was just more of the same.
Among all of the Warblers, there was one young man who stood out from the rest, with ineffable charm and the ability to capture an audience with every single note. But for all that Kurt appreciated finally being able to discuss the finer details in life with someone over a Grande non-fat Mocha, he couldn't help thinking back to the New Directions every single time the Warblers met for practice, and how much stronger their little band of misfits was for the way they showcased each individual member's strengths. Brittany and Mike were fantastic dancers, Mercedes could belt them out as well as Aretha herself, Tina's voice had an unmatched clarity, Quinn and Sam's voices were sweet enough to give anyone a toothache, and Kurt would be lying if he said that he'd never envied Rachel's ability to carry a Broadway tune. In the Warblers, however, Blaine was given so many solos that Kurt had started to feel that his voice was becoming white noise in the background. Yes, he was jealous. Yes, he was a little resentful of the fact that every suggestion of his was shot down without a second thought. But what was there to do?
He wasn't on his home turf.
It took a few seconds before Kurt quickly began to realize that the pounding had stopped. The white noise was gone. And when Kurt looked up, all of the intricate wooden molding had disappeared, paintings and chandeliers nowhere to be seen. A quick glance down to his hand revealed that Kurt was still sitting on the same bench as before, his messenger bag threatening to slip over the edge. (Pavarotti's cage, however, was notably missing.) He froze.
"Oh no," he breathed. "No, no. I don't know if Eli finally managed to clock me in the head with his overeager dancing, or if this is just because I spent too many hours with the Magic Markers for my diorama on Louis the Second, but— but it needs to stop now." He glanced around imploringly, nails digging into the fine leather upholstery as he noticed a jukebox playing in the background. Maroon 5.
"Or maybe it's a dream," Kurt reassured himself, sighing softly through his teeth. "Although really, world? A crappy jukebox and a worn sofa? The least you could have done was dropped me off at Seattle Grace."
Kurt's still really into Blaine, while Blaine doesn't really know what he wants and even got his mack on with Rachel, although locking lips with her seems to have put him back on the right team. Blaine's discovered that Kurt's idea of getting his sexy on looks more like someone holding back a lot of gas, and Burt's collected a slew of pamphlets to try and educate his son, but Kurt's still showing resistance. Both the New Directions and the Warblers are preparing for Regionals, but the Warblers are looking more like Blaine and the Pips by the day, and we don't think Kurt's too happy about that.
And that's what you missed on... Glee!
Although Kurt would have certainly preferred to spend the day working on a Judy Garland number adapted for the Warblers, he could understand the club's enthusiasm and Blaine's eagerness to use Top 40 hits to appeal to a mass audience. Maroon 5 was, all things considered, a band that saw remarkable success given their lackluster quality in live performances, and Kurt could only imagine that the Warblers' charm and tailored uniforms would add to the effect. But as he sat on the bench, feeling the ground move under his feet and hearing the fists of his classmates pounding on the tables, his mind couldn't keep from repeating a single thought, time and time again: this song was just more of the same.
Among all of the Warblers, there was one young man who stood out from the rest, with ineffable charm and the ability to capture an audience with every single note. But for all that Kurt appreciated finally being able to discuss the finer details in life with someone over a Grande non-fat Mocha, he couldn't help thinking back to the New Directions every single time the Warblers met for practice, and how much stronger their little band of misfits was for the way they showcased each individual member's strengths. Brittany and Mike were fantastic dancers, Mercedes could belt them out as well as Aretha herself, Tina's voice had an unmatched clarity, Quinn and Sam's voices were sweet enough to give anyone a toothache, and Kurt would be lying if he said that he'd never envied Rachel's ability to carry a Broadway tune. In the Warblers, however, Blaine was given so many solos that Kurt had started to feel that his voice was becoming white noise in the background. Yes, he was jealous. Yes, he was a little resentful of the fact that every suggestion of his was shot down without a second thought. But what was there to do?
He wasn't on his home turf.
It took a few seconds before Kurt quickly began to realize that the pounding had stopped. The white noise was gone. And when Kurt looked up, all of the intricate wooden molding had disappeared, paintings and chandeliers nowhere to be seen. A quick glance down to his hand revealed that Kurt was still sitting on the same bench as before, his messenger bag threatening to slip over the edge. (Pavarotti's cage, however, was notably missing.) He froze.
"Oh no," he breathed. "No, no. I don't know if Eli finally managed to clock me in the head with his overeager dancing, or if this is just because I spent too many hours with the Magic Markers for my diorama on Louis the Second, but— but it needs to stop now." He glanced around imploringly, nails digging into the fine leather upholstery as he noticed a jukebox playing in the background. Maroon 5.
"Or maybe it's a dream," Kurt reassured himself, sighing softly through his teeth. "Although really, world? A crappy jukebox and a worn sofa? The least you could have done was dropped me off at Seattle Grace."

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Alright, so admittedly, the two of them had gotten along better in the weeks preceding Kurt's transferral than ever before, and Kurt would be the first to admit that Puck was neither as badass nor as malicious as he wanted people to believe, but Kurt certainly wasn't under any impression that Puck would singlehandedly try to bring him back to McKinley. Or that he'd be capable of a plan as elaborate as this.
So he sighed.
"Yes, yes, eloquent as ever," Kurt shook his head, words slipping out under his breath and crossing his arms over his chest, deciding to allow the dream to play out in full. "You know I'm missing McKinley when I start having dreams about Noah Puckerman."
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Collapsing into a nearby chair, he said, "You're awake. And you're too much of a tight ass to have actually taken anything that would make you hallucinate like this."
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Nose wrinkling as Puck wiped his greasy hands on his jeans— such a typical boy— Kurt turned right around to tinker with the jukebox, trying to find a way to turn the thing off. Maroon 5 was great for many things; as background for a conversation, however, not so much.
"But, alright, awake and not hallucinating." Turning around, he leaned lightly against the machine. "Care to provide an explanation?"
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Literally trying to shake away the confusion that had gummed up the workings in his brain, Puck put that into the category of Not My Problem and decided to move on.
"If you can find somebody that can give you an explanation that isn't completely retard, that'd be awesome. 'Cause I've been here like, four months and all I can get anybody to tell me is that it's an island that nobody can leave."
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Crossing his arms again, Kurt walked carefully along the perimeter of the room, as though expecting someone to jump out at them any moment now.
"Well, Puckerman, I don't see anyone else in the room right now, so a half-baked explanation will have to suffice," he added, brows knit as he turned to face the other boy again. "I'm fairly confident in my abilities to fill in the blanks anyway where the glee club is concerned."
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"You can fill in whatever blanks you want, but this has nothing to do with glee."
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"Look, it's an island called Tabula Rasa, off the coast of Nowhere, in the Who the Hell Gives a Crap Ocean. I was in the middle of looking for your damn replacement, since you left us one member short, and then all the sudden I was here, on the damn beach. It's like, time travel or frickin' magic or some shit. I don't know! But if you come with me, I'll show you something outside of this lame ass room."
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Coming to a halt in the kitchen, Kurt's hand rested by the side of his neck as he shook his head. "Maybe something got into the water," he suggested.
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And he'd kind of been following her around since then, too, but that was another story all together.
"Look, Santana was pissed as hell about Zizes when she got here, but I don't remember any of that crap. Last I remember, we'd lost one of our best guy's because Karofsky's a giant dick, and Shue left it up to me to find a replacement so we could compete. I'm not saying the other stuff didn't happen, it just... happened to somebody else."
Rolling his eyes, he added, "Like they get water contamination at a prissy school like Dalton."
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With a newly unperturbed smile, Kurt rounded towards the kitchen, opening and closing cupboards at will with a look of distaste. "Now, I'm going to find us some coffee before we continue in our discussion of alternate timelines, because admittedly, I've never been into the whole sci-fi fake science thing."
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"And there's no way you're stupid enough to think it didn't suck when you went and joined the enemy, so quit it with the modesty crap. That's not even your style."
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His smile was a touch strained.
"Okay, maybe I was pretty talented within New Directions, and I... certainly got to showcase my talent on a regular basis," he tilted his head, a nod of concession. "I guess not being able to perform a solo in months has gotten to me. Anyway, that doesn't— show me what, exactly?"
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So he relented. Quietly, he nodded and sighed, crossing his arms as he followed along.
"I guess either way, a breath of fresh air couldn't hurt."