Entry tags:
wherever you go, you can always come home
So, the terrifying thing about having a first date that isn't limited by the constraints of Ohioan society and school schedules is that Kurt has no idea what to wear. In fact, he's starting to wonder how he even managed to pick anything at all back home for their early dates, because the amount of fretting he's making over every detail is borderline absurd. He gave Blaine the instruction to pick something that's relatively easy to move in, but the fact of the matter is that for Kurt, that statement applies to practically everything he wears. He can move easily, even if it's uncomfortable — the sacrifices made for fashion, after all.
The overarching theme seems to be that he needs to dress to impress. Slimming outfits are key. Clothes that complement his complexion, clothes that make his ass look fantastic, clothes that aren't too easy access, but aren't just layers upon layers. (It feels silly, after all, to be wearing so many layers when they've already made out when hardly dressed at all.) In the end, Kurt settles on an inspired red and black silk shirt and tight black jeans, complete with asymmetrical black leather jacket for the duration of the outdoor walk.
Beyond that, there are other things to prepare as well. Making sure that as many of the locks in the theater are unlocked as possible, save for the entrance, because the last thing that Kurt wants to do is spend overly much time jiggling doorknobs. Hiding away little surprises on the stage, and a basket of food and sparkling cider on the catwalk. Walking more than a few times down its length, just to make sure that it's secure. And, perhaps most importantly of all, venturing out to one of the florist shops in the area, cutting a robust bouquet of roses and wrapping them carefully with green ribbon.
In the end, in spite of everything, Kurt ends up at Blaine's door exactly on time, trying to will away the flush on his face as he knocks on the door. Praying, almost, that this goes well.
The overarching theme seems to be that he needs to dress to impress. Slimming outfits are key. Clothes that complement his complexion, clothes that make his ass look fantastic, clothes that aren't too easy access, but aren't just layers upon layers. (It feels silly, after all, to be wearing so many layers when they've already made out when hardly dressed at all.) In the end, Kurt settles on an inspired red and black silk shirt and tight black jeans, complete with asymmetrical black leather jacket for the duration of the outdoor walk.
Beyond that, there are other things to prepare as well. Making sure that as many of the locks in the theater are unlocked as possible, save for the entrance, because the last thing that Kurt wants to do is spend overly much time jiggling doorknobs. Hiding away little surprises on the stage, and a basket of food and sparkling cider on the catwalk. Walking more than a few times down its length, just to make sure that it's secure. And, perhaps most importantly of all, venturing out to one of the florist shops in the area, cutting a robust bouquet of roses and wrapping them carefully with green ribbon.
In the end, in spite of everything, Kurt ends up at Blaine's door exactly on time, trying to will away the flush on his face as he knocks on the door. Praying, almost, that this goes well.

no subject
It's possible he has incredibly high hopes, but he can't seem to help it. He's going on a date. An actual, real date. With Kurt. It still seems as surreal as it does wonderful.
Kurt had only told him to wear something he could easily move in which really didn't narrow down any of Blaine's clothing options at all considering he frequently performed all kinds of dance moves in khaki pants and a blazer back home, and his own personal style choices rarely venture too much further from his Dalton uniform. After about an hour spent trying on nearly every variation of pants and sweater vest combination, Blaine finally decides on a pair of brown plaid trousers rolled up slightly at the ankles, a simple button-up and the red-and-gold tie Kurt had picked out for him a couple weeks ago, the whole thing topped off with a shawl collar cardigan in ivory in case Kurt decides to spend awhile walking outside. The evenings here are still rather cool, Blaine's found.
Despite Kurt being right on time, Blaine is still a little surprised by the sound of door knock, his heart briefly leaping into his throat before he smooths his hands down the front of the sweater and recalls all the calming pre-performance techniques he's ever used.
He's smiling by the time he answers the door, not even bothering to check who it might be first. "Hey! You're right on- oh. Wow." For a second, Blaine isn't sure he can breathe, eyes wide as the take in the fall of Kurt's leather jacket and the slim cut of his jeans. "You look amazing."
Suddenly, Blaine thinks maybe he should have spent at least another hour picking out his outfit.
no subject
Licking his lips and trying his best to stave off the deep flush in his cheeks, Kurt solves the problem by holding out the roses, pressing them gently into Blaine's hand as he leans in to press a kiss to the corner of Blaine's mouth, then takes a half-step back. His eyes rake over Blaine's outfit, very much like those that he used to wear at home after transferring to McKinley.
"Right back at you," Kurt murmurs in approval, gaze lingering a little too long around Blaine's hips, where the pants hug him well. "The roses are for you. My little, obnoxious way of leaving a mark in your apartment."
no subject
"Thank you," he says, ducking his head to look the flowers, the roses in red, pink, orange, and yellow. "They're lovely."
Suddenly remembering himself, Blaine steps back into his apartment, holding the door open for Kurt to follow him inside. "Let me just get some water for these. Do you want something to drink?"
no subject
"I'm okay, thank you," replies Kurt, trying to keep from skipping over. "Unless you'd rather sit for a while before we head out. Normally I would've made reservations, but I'm pretty sure the place I found is open all night, unless someone else stumbles across it in the meantime."
Coyly stepping around the kitchen counter, Kurt's gaze lifts to follow Blaine. "So how was your day?"
no subject
"It was... interesting. Remember that woman at the city hall meeting with the wild hair and tattoos? The one who really hated when I brought up the idea of making laws? Well, I saw her in the park with a punching bag."
no subject
It disappears a little when he mentions that tattooed woman.
"You mean Tokyo Hotel wannabe?" he frowns, brow furrowing in distaste. The thing is, it's not the look that bothers Kurt. Any look can be decent if someone fully commits. Instead, it was that attitude that bugged Kurt. Having some manners never hurt anyone. "I guess I don't find it too surprising that she'd box as a hobby, so—"
He pauses, freezing for a moment. "Wait. Did you join her?"
no subject
"Her name's Lisbeth," he says. "And yes, I joined her. It was... nice, actually. I haven't really had a chance to since I got here."
He slides the flowers into the glass then, takes a moment to resettle a few so they bunch nicely before he looks back to Kurt then, eyebrow raised. "Why? Is that weird? I, uh... I mean, I kind of figured you knew I boxed. I don't really keep it a secret."
no subject
"It's just that I really didn't picture someone like her being amenable to boxing with another person, I guess," frowns Kurt, pursing his lips in thought. "Not that I know her much one way or the other. The City Hall meeting just felt telling in a few ways."
no subject
His eyes still on the flowers, Blaine tips them towards his nose and inhales, feels a strange, but completely pleasant tightening of his chest when he looks up at Kurt again. "I've never gotten flowers before. Where did you even find these?"
no subject
He might start making the delivery of bouquets a regular affair. Provided, of course, that he can start growing them properly, since the potted plants won't last forever.
"I'm glad you like them," he adds quietly, shuffling over to skim a finger down the length of Blaine's arm.
no subject
Still, he can't quite stop himself from moving a little closer as he sets the make-shift vase on the counter top.
"They're beautiful," he says, hesitating only briefly before reaching out to skim a finger along the front of Kurt's leather jacket, head cocked to the side. "So where are you taking me?"
no subject
(But on the bright side, Kurt finds that there's no question when it comes to what he'd rather have in the long run. And that's all their moments. All their memories. He can forgo the passion if it means being practically married as a couple.)
"I am taking you to the theater," Kurt says, tilting his head in a moment of pride for having found the place at all. "My wonderful sleuthing abilities came in handy. It's beautiful, although I made sure not to examine every nook and cranny. I wanted to leave a bit of the magic for the both of us."
no subject
Apparently, Kurt finds all the interesting things.
Pushing himself away from the counter, Blaine grabs Kurt's wrist and tugs him toward the door. "Come on, let's go," he says, making sure to grab his keys off the small foyer table on his way and then stopping abruptly. "Oh, do we need to take anything? Flashlights or... bats?"
no subject
He needs to keep his train of thought from wandering too far down that path.
Grinning stupidly as soon as Blaine grabs his wrist, Kurt allows himself to be tugged along before blinking at Blaine's sudden question. Not seconds later, he snorts in amusement.
"Man, I am really learning how much of a thing you have for bats," Kurt remarks, before tugging out his phone from his back pocket. "But we should be set. Thank god I've got a flashlight app on this thing."
no subject
Once out in the hall, Blaine lets go of Kurt's wrist to close and lock his apartment door, then quickly pockets his keys before finding Kurt's hand once more, linking their fingers together as they head down the hall. He's never really held hands with anyone like this before and he finds it's surprisingly easy. Natural.
Kurt's fingers fit pretty perfectly in his own.
"How far is it from here?" he asks as they turn the corner and head to the large front doors of the building. "Are we stopping for dinner on the way?"
no subject
He has to actively stop himself from turning to press a kiss to Blaine's cheek.
"Just a few blocks," he says instead with a proud grin. "It's right on Woodard, actually, so we don't even have to manage a ton of twists and turns to get there. And dinner will be at the theater. I have a few hot plates — literally, heated dinner plates, like I always read about in books — keeping our dinner warm until we get there."
no subject
It's more than amazing, in fact. Blaine has always been a big fan of romance, or at least the idea of romance since he hasn't really been the subject of anyone's affections before. Until Kurt, his mind helpfully provides. His own attempt at it had apparently been an unmitigated disaster if what Kurt's told him is anything to go by, but he still likes it.
And, selfishly, he likes having Kurt's attention. It's unfair, maybe since Kurt's made no secret of how he feels and Blaine is still just utterly confused, but he can't seem to let himself pull back. They've barely even started the evening and Blaine is certain this will be the best first date in history.
"Are you going to provide the entertainment as well?" he asks with a grin. "Put on a one-man act before dessert?"
no subject
"I don't have a show planned, if that's what you're asking," Kurt adds, standing straight again and tilting his head playfully as he stares up at the tall buildings on either side of the street. "But we may have some instruments there on stage. Sadly, dessert's a little toned down, since I don't really trust the freshness of certain key dessert ingredients, but I might have prepared... something."
no subject
"Something," Blaine echoes with a curious waggle of his eyebrows. Grinning, he gives Kurt's shoulder a light bump with his own. "This is all very mysterious. You're setting a very high standard, Kurt Hummel. I have no idea how I'm going to compete with this."
no subject
Kurt shrugs, shaking his head. "Just by being you. Picking something that showcases what you want to say and how. It doesn't necessary have to be like a theater date; I'm pretty sure that's just me being dramatic."
no subject
He trails off a second, just shaking his head as they continue walking. It's nice night out, the weather clear and crisp, but not too cold. The streets are as empty as always, but it doesn't feel nearly as creepy as it typically does, not with Kurt at his side. "You know, I think this counts as my first date ever," he says, a little quieter, thoughtful. "Jeremiah and I... those were just, like, coffee dates. Nothing was really planned and it wasn't... It wasn't like this. We've hardly even done anything yet and it's already better than anything I could've imagined."
no subject
The good thing is, hearing about Jeremiah doesn't really upset Kurt too much. Worries him, maybe, because if he dwells too long on Jeremiah, he starts thinking about the things that other boy had that he doesn't as much. The age advantage is more clear. The other guy's shape, more svelte. But he's not... really worried. Yet. There aren't really enough other guys around to be threatening, anyway.
Smiling, Kurt stares at their feet for a few seconds before nodding to himself. "I'm going to make it my personal goal to make sure every date is better than the last," he says, glancing over again at Blaine. "Just so you know. They may not all be as well-coordinated as this one, but. There are totally other ways to make a date memorable."
no subject
This time he must be more on point, though. Either that or he's getting better at listening to the things Kurt doesn't say.
Or maybe he's just hoping. Projecting.
(Is he hoping? Could that be what this is? What exactly is he hoping for?)
Right now, though, right in this moment, he feels too good to worry and he doesn't bother hiding the grin that spreads across his face or the flirty tilt of his head. "And what ways might those be?" he asks, giving Kurt's hand another light squeeze. It's a joke, just a friendly tease, even as his voice drops a little lower. "You know, just to give me a better idea."
no subject
If it's the healthy type of progression, encouraged by the fact that Kurt isn't as tight-laced as he used to be, or if perhaps Blaine is racing to stand on the same ground as Kurt.
"You'll just have to use your imagination," Kurt says, deciding to play it a little safer, although he leans over to press a lingering kiss to Blaine's lips, licking across the line of his mouth with a soft hum. "Although at this rate, we might never even make it to the venue of the first date, let alone a second." He tugs Blaine's hand a little for emphasis, wanting to make sure they keep at a steady pace. It wouldn't do for dinner to go cold.
no subject
And then he can't help but laugh at himself as Kurt tugs, making sure they continue walking. It's been less than two days and he's already addicted to Kurt's kisses. He wonders if it was like this back home, if once they started kissing, they never stopped. And it makes him wonder if he'd be this addicted with anyone else, if he'd feel this eager and stupid with Jeremiah had he returned Blaine's affections.
But he supposes he'll never really find out.
"My imagination can be a boring place sometimes," he says, deciding to give up on that line of thinking for the moment. "And scary other times. I'm not sure you really want to leave it up to me."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)